If you’ve been needing to brush up on things like choosing a cohesive color palette, pairing up typefaces, choosing fonts, or how to incorporate photos, illustrations, or patterns into your work, this series is for you. Great for beginners to learn the ropes of design and lay a strong foundation for their style, AND great for seasoned designers to brush up on the basics, think outside the box, and maybe learn a new trick or two.
One of the most common questions I get is asking about how all the different design apps and programs compare to each other — sorry it’s taken me this long to finally write this post! I’ve been wanting to create an infographic (using Adobe InDesign, duh!), and thought this comparison post would be the perfect fit.
When you start out as a business owner or freelancer, you tend to wear a lot of hats. You’ve got to be the sales person, the accounting person, the HR person, and a lot of times, the designer. Depending on your skills and abilities, you may decide to pass off that role to another designer down the road, or you may continue to design your own materials once you see that you CAN actually do it yourself, without it looking DIY or homemade.
I see so many people make assumptions and spreading misinformation about learning a program like Adobe InDesign. So today I want to clear up some of those big myths and misunderstandings. You might have heard one of more of these myths around the internet, and you might even be thinking some of them yourself as you’ve read any of my other posts or resources about InDesign.
In this post, we’ll cover what lead magnets are and lotsssss of examples, how to choose the right content for a lead magnet, how to design a lead magnet, and how to deliver your lead magnet to your audience so you can grow an email list that’s ripe with ready-to-buy customers and ready-to-book clients.
Today I’m talking all about infusing quality into your business, particularly in three specific areas: your craft, your content, and your conversations. Quality should be infused into everything you do as a business owner – this is just good business to provide quality to your customers — but these three areas are practical places we can start to put it into practice. Is that enough P’s for you? This post is a doozy, so let’s get started.
One of the most powerful parts of using Adobe InDesign is the master pages tool. It’s one of many ways in InDesign to speed up your workflow and keep your design uber consistent. Many of my InDesign students are blown away when they learn how to use this feature, and see how such a simple tool can revolutionize their design process. Check out this beginner's guide to master pages with InDesign tutorial.
I’ll be frank — in Abode InDesign, if you’re not using these 5 tools below, you’re doing it wrong. These are essential to making InDesign really shine, and allowing you to work faster + smarter than any other design program out there. (Looking at you Canva and Photoshop.) Let’s cut the small talk, and get right to the juicy tools that you NEED to be utilizing if you want to really get your money’s worth with InDesign.
Small business owners these days wear a lot of hats. We tend to be our own assistants, accountants, advisors, marketers, copywriters, and now even our own designers. When it comes to designing for your business, you’ve probably quickly learned that there are... 1 — there are tons of things that need designing within your business, and, 2 — there are tons of software options to make those designs.
Automation. It’s the buzz word being slung around the Interwebs as of late. It’s that thing everyone is striving for, it seems like, to make their business totally automated and hands-off. But… what if that might not actually be the best thing for our customers? Don’t get me wrong, I’m all for a convenient app as much as the next gal (or guy! hey fellas.), but I’m afraid if we go so far down the automation rabbit hole, our businesses will end up looking and sounding like robots. Cold, hard, emotionless robots.
Are you new to the world of digital products? Or, maybe you've been thinking about adding some to your shop but haven't quite figured out what to offer? In either case, I've got one word for you: ebooks. These little babies are the perfect segue into the digital product world. Never created an ebook before, you say? I gotchu. I've designed many-an-ebook in my day. To make it as easy as possible for you, I've compiled this list of pages to include (and helpful tips!) so you're not just staring at a blank InDesign file. Get excited, you're about to create your very first ebook! (And stick around til the end, there's a brand new mini-class to help you learn even more about our good friend, Ebook.)
I get it — Adobe InDesign can be kinda scary. When you open it up, you’re bombarded with buttons and windows and menus and icons, not to mention some weird words that you probably didn’t associate with graphic design . . . slug, anyone? Have no fear, all these crazy terms have meaning and they’re not as scary as they seem. Below are 31 common terms you’ll find in Adobe InDesign and what they mean — and if you’ll really even need to remember what they mean or not.
Printables, worksheets, workbooks, planners, guides, PDFs — whatever you want to call them — they’re everywhere. You see them as opt-in freebies for email lists, content upgrades on blog posts, even entire shops full of them (hint, hint…). But you know what you also see a lot of, unfortunately? Bad design. Printables that are overworked and unprofessional, and as a designer, that’s a bummer! I know the creator worked hard on the content, put thought (hopefully) into how the printable could be useful to the customer, but the design lacks function and actually makes it harder for the customer to use the product in the first place.
The Adobe Creative Suite is the only design software with the capacity to create high-quality, professional design work. The three main programs, Photoshop (PS), Illustrator (AI), and InDesign (IND) each have their own purposes, and it can be confusing to know the differences. Before we jump in to integrating these three programs to work together, here's a quick overview highlighting the strengths of each program and what it’s best used for.
It’s no secret I love InDesign – if you’ve been around these parts for even just a week, you can probably tell that :) I’m launching my very first e-course in just 3 weeks, so today I want to share a few of my favorite simple tricks, tools, and shortcuts to help you work smarter + faster in Adobe InDesign. Stick around until the end, and you can download a sneak peek at one of my favorite components of my new course – the ready-to-use project you’ll complete by the end of it. I’ve got 11 tricks to go through, so we’ll skip the small talk and go straight to the good stuff!
I’ll be the first to admit it: I love a good e-book. One that provides great content — actionable stuff, not fluff — and a clean, easy to follow design is hard to resist. E-books are super popular right now, and for good reason. They make great opt-in incentives or lead magnets, you don’t have to worry about printing anything physical, you can send it directly to your customer with one click, and you can share just about any kind of information using an e-book format. E-books are super versatile, they can be super valuable, but there’s also some bad news… they can be super ugly.
Long time, no blog post! Last week I was on the road, moving from Missouri to Tennessee with my mom, two dogs, and a one-year-old – can you say exhausted?! Yep, I’m wiped. But I’m slowly getting back into the swing of things and wanted to share a great post today about how to choose, pair, and apply typefaces for your design projects for your own business or for client work. These are some great principles that can be applied to whatever program you’re using, and will help you take your projects (no matter how big or small) to the next level.
In 2010, I was a poor college student. My design classes were boring me, and I just wanted to dive into some real client work. My brother’s business was just taking off, and he quickly turned to me for design work as his business developed. One day, he called me up and told me about a book he was wanting to write. Then he asked me if I would design it – cover, interior layout, all of it. I immediately knew three things.